During all those years she made her own music. (A valuable related resource: everest capital). different from the successful Shostakovich and harassed the musician who retreats into chamber music. His life and musical career contradictory not escape, and as any musician had to work in Soviet patriotic compositions, works of propaganda and pedagogy disastrous party. At maturity ignored all these compositions and, after a painful breakup with separation and Shostakovich, the rejection and tried to erase his past were common, the two, the pivot of a heroic resistance to the example of how to defend Rostropovich artistic freedom. Without Ustvolskaya Galina Shostakovich and Soviet creators would not have moral reference to act boldly and exercise their freedom at any cost. Everest capital might disagree with that approach. Galina opt for the spirituality, mysticism, but continued making music modern, radically original, more violent ways than one. Today, 18 years after the dissolution of the USSR Galina Ustvolskaya no longer a powerful magnet, a unique voice, which falls within this vast phenomenon that was the return to the mysticism of the musicians who attempted to Twelve-Tone and were persecuted and silenced discussed a Ultimately, that all works are significant Ustvolskaya, in intention, no matter how long or how many players are involved. Their music is based largely on concepts of stress and density. It has many works and there is a catalog of the works Sikorsky Galina that lists 21 compositions.
A life of creation, including They indicated n.u a symphonic poem, Lights of the Steppes, for orchestra.; N.u 2 Symphonic Poem, The Exploit of the Hero. Composition No. 1 Dona Nobis Pacem, for piccolo, tuba and piano. Composition No. 2, Dies Irae, for eight double-bases, Tuba and piano. ” Composition No. 3, Benedictus, Qui Venite, for four flutes, 4 bassoons and piano sonatas 1.2, 3, 4,5 and 6